Campaign of The Month March 2025: Age of Conan: The Rise of Yig
Between the years when the oceans drunk Atlantis… and the rise of the sons of Aryas… there was an Age undreamed of. Onto this, CONAN! And also to a lesser extent YOU, the reader! For you have wandered the wastes to find our newest Campaign of the Month winner — “Age of Conan: The Rise of Yig” by award-winning game-maker and author jasonvey of Elf Lair Games. So, put on your best horned helmet and sharpen those two-handed swords before you read the tales of this troupe of talented travelers and hear the wise words of the wizard on the hill…
Obsidian Portal last spoke with you in 2017, when your “Nocturnum: Rebirth” Unisystem game won Campaign of the Month and we had the chance to make your acquaintance. What’s new in your life since then?
Hah! My entire life has changed since then. As with all of us COVID altered our whole world. I am no longer working as a content writer. My day job is now an SEO consultant, while I have also since launched my own gaming company, Elf Lair Games. The game that powers the Age of Conan campaign, Wasted Lands, is one of my games, using the O.G.R.E.S. system (which I’d love to see added to Obsidian Portal, but I have no ability to program character sheets!). I’m still working as a staff writer for Troll Lord Games as well, and we just re-released a new “reforged” printing of Amazing Adventures.
Your current campaign, “Age of Conan: The Rise of Yig” reads like a tale right out of a Robert E. Howard book. In your opinion, what makes games set during the Hyborian Age feel so wonderfully different from other sword-and-sorcery fare to which many of us might be more accustomed (e.g. D&D)? What draws you personally to these kinds of stories?
That’s actually a great question. For me I guess it’s just having been steeped in Howard and Conan since I was a kid – my dad introduced me to the old Ace Paperback series when I was 10 or 12, and it was a formative thing for me. The Hyborian Age is as richly detailed a setting as any other, and more than many, from Howard’s own seminal essay through the many pastiches (of widely varying quality) that have been done throughout the years. So I really think that’s it – what sets ours apart is just that I know this world like the back of my hand. I understand the appeal of the gods and men of that world, of the struggle between barbarism and civilization, and the rich history and cultures that populate the world. Conan and the Hyborian Age, to use a cliche, are much imitated, but never exceeded.
Tell us a little about the rules of “Wasted Lands: The Dreaming Age”, the “Powered by O.G.R.E.S” system, and what you like best about using them for your campaign.
O.G.R.E.S. has three mechanics, inspired by the earliest days of role playing games. The first is a d20 mechanic, wherein you roll a d20, add attribute bonus and other applicable bonuses, and try to get a 20 or better. This powers attribute checks and combat.
The second is a straight percentile check, which powers skills and class abilities (including spellcasting). When you need to do something specific to your character’s skills or class abilities, you roll percentile against your chance of success.
The third is the Rule of 2. This is a GM-only mechanic that serves as a quick way to adjudicate any situation you’re not sure how to otherwise resolve. Just pick a die, roll it, and look for 1 or 2. On a 1 or 2, something happens. This governs things like surprise, trying to listen for noise when you don’t have a perception class ability, whether someone hears you sneaking up if you don’t have a stealth ability, whether you notice a hidden panel in the wall, and the like.
O.G.R.E.S. is drawn from and inspired by the earliest days of gaming, and the three mechanic approach offers an elegance in that it’s intuitive and quickly lets everyone at the table know exactly what’s going on based on who is rolling what dice at what time. It cuts down on “Hey, what is she doing? Can I try that too?” It’s also very fast playing and intuitive. It was specifically built for the kind of gritty high action play that swords and sorcery represents. It is also scaleable for different levels of gritty through cinematic play, so it lets you customize your game for the exact style you like.
We noticed that, as an author of games yourself, you seem quite adept at kit-bashing together exactly what you need for the rules, genres, and adventures that you want to run. We must assume that the advantages outweigh the potential problems with this approach or you wouldn’t do it that way — but what advice would you offer to those of us who want to mix and match our own systems and settings?
Don’t overthink it. Make a call and run with it. Learn to adjudicate things on the fly and do not ever overanalyze what you’re doing. In the end, as we used to say, the play is the thing. If the game is moving forward and everyone’s having fun, you’re getting it right. I’m also not a fan of re-inventing the wheel. If you’ve got a mechanic that works, there is absolutely ZERO reason to create a new subsystem. Just use what you have and 99% of the time you’ll find it works just fine.
You have some extensive experience in writing for the gaming industry and quite a few projects under your belt. Which ones have been your favorites, so far? Any upcoming titles that we should keep an eye out for?
Of course my own Elf Lair Games products under the O.G.R.E.S. system are my children right now – Night Shift is our modern urban fantasy game, Wasted Lands our Swords and Sorcery, and Thirteen Parsecs our sci-fi game. All 100% compatible, all using the same O.G.R.E.S. rules. Other than that? Amazing Adventures from Troll Lord Games sits right alongside my ELG works. That was my first ever core role playing game and it will always be my favorite child as a result.
What have been some of your favorite moments in “Rise of Yig?”
That has to be going back to the earlier days of the campaign. We were running the old Mongoose Betrayer of Asgard campaign, and the characters had sought an old soothsayer named Mimir deep in the Asgardian mountains for the answer to a prophetic riddle. Alas, as happens to all of us, we had a bunch of things come up and gaming was put off for like a month. So when they got back, we picked up. They found the lair, and Mimir, who says, “Why have you come seeking Mimir?”
There was dead silence for a minute. Then, one of my players (Robert, if I remember right) went, “Oh, s–t, why DID we come seeking Mimir??”
Laughter erupted, as the entire group had forgotten what they were doing in the ensuing month.
Your wiki and adventure logs have been a joy to read — lost kings, thwarted assassins, and ancient evils slithering back into the world, it’s just fantastic! Without giving away too much of the ending, what can we expect to see as the rest of the campaign proceeds?
You’ll have to wait and see. I will say that for die hards of Conan, some familiar faces and references will absolutely be turning up! You may already have noticed that I canonized the much-maligned Conan the Destroyer by having Jehnna as the current queen of Zamora and her retinue as of the end of that film still serving her. That was a fun little wink-and-nod. I have also mentioned in passing that one of the Hyrkanian city-states is currently ruled by a fiery-haired she-devil of a woman whose swordplay knows no equal. I’m not sure if she will actually show up (and I’m not sure that bit made it into one of the logs), but again, little references.
And as always, Obsidian Portal loves to ask for any new tips, tricks, or general advice from the last eight years since your previous win that you could share with other Game Masters, World Builders, and writers.
Again, the big thing is to never overthink it. Dive in with gusto and as long as everyone’s having fun, you’re getting it right. It’s okay to make rulings on the fly, and always stop to think, “do I already have a mechanic that will handle this?” You rarely need a whole new character class, or a new subsystem, or something like that. Never try to be innovative just for the sake of being innovative. It’s rarely needed. Stick to the KISS principle, and you can almost never go wrong.
Also, let me just say it’s a real honor to be named Campaign of the Month again – in the same month, I think, as our last one, no less! We’re excited for this, and stay tuned! I’m a little behind on adventure logs right now but am working to get caught up!
The honor is ours, Jason, and we thank you for sharing your creativity with the Obsidian Portal community once again! We look forward to reading more adventures from the Hyborian Age, soon.
We’ve passed along your request to the OP Support team to get your game systems added to our library. And for anyone who would like to add their own games or ask other questions, don’t forget you can always reach out via email to [email protected] for just about anything. Be sure to check out the help articles, Discord server, and community forums too — which is where you can nominate your own favorite campaigns for Campaign of the Month consideration.
Until next month, fellow barbarians!
Campaign of the month February 2025: Stream of Kairos
So, have you ever wondered what it might be like to be the Captain of a Timeship on the Temporal Sea? Well, wonder no more, because when you delve into the depths of imagination on this particular campaign, you can do just that! Join us as we chat to previous Campaign of the Month winner, Abersade, discussing The Kairos Delta, Realspace, and the dreaded Orkehds in his new campaign, Stream of Kairos.
First off, feel free to tell us about the person behind the GM screen. Where are you from? What do you do aside from gaming? Alter Egos? Life partners? Family? Where can we interact with you on the internet?
Hi! My name is John and I’m from Flatlandia, also known as Northwest Ohio. Being born and raised here, there really isn’t much to do except for gaming, gardening, and reading in my opinion. I’ve been with my wife (user Saintdiane) for eighteen years now, and both of my daughters are grown, in their twenties, and have long since fled the proverbial coop.
You had previously won Campaign of the Month in April 2020 for” Core: The Ashes of Alcarna”. Both that game and the new one are using the Dungeons and Dragons 3.5 Systems. What keeps you motivated to designing your Campaigns within this system?
There are four main factors at play for me here:
1. I have almost every official rulebook that was published for 3.0 and 3.5.
2. 4th Ed D&D, 2nd Ed Pathfinder, and 5th Ed D&D all lack the sheer number of crunchy options for characters, rules, feats, and classes.
3. Everyone who’s playing (with one exception) is already very familiar and comfortable with 3.5
4. We use a bunch of tacked on systems like Roleplaying Points (an extra way to advance characters) and House Rules that are specific to 3.5 and which were developed over several years.
How different is your current campaign from the previous one? Are any of the players the same? Are the characters related in any way? Are there any cross connections between the two campaigns?
Have you ever had a concept for a game that was probably too weird or borderline nonsensical, but that you just couldn’t get out of your head? That sort of idea just stays there lodged in the bizarre section of your brain, fermenting like juice that’s gone a bit off.
Most of the time these sorts of ideas slowly wither away, eventually fading completely, leaving only a mild sense of relief. Sometimes though, instead of fading away the idea persists, eventually becoming a monster that must be freed. That monster is Stream of Kairos, which slowly morphed from “an underdeveloped idea involving a stream of water with islands in it, floating in the Astral Sea” into “the Grand Unifying Theory of every TTRPG game that I’ve ever run, while still somehow involving streams of water just sort of floating around with bits of land in them”.
Though it links everything together it is important to know that Stream of Kairos is drastically different from Core, and that Stream of Kairos is also drastically different from Rise of the Durnskald, despite it literally containing multiple elements from both games. Also, some Old World of Darkness content for questionably good measure with just a dash of Warhammer 40k thrown in because who doesn’t like it when things get Orky?
As for the players, the players who returned for Stream of Kairos are some of the same players who were around for Rise of the Durnskald and the last game I played in called The Price of Magic. I have a whole page dedicated to them on our wiki, which can be found here.
Your current landing page outlines future journeys on the “Great Temporal Sea”. These adventures seem like they will incorporate some pretty “deep” concepts. Can you give us all a bit of information about the Temporal Sea and the use of “Timeships” in your campaign.
It all ends with a time loop… all the best nonsense does, really.
The easiest way to picture the Kairos Delta (and thus the Great Temporal Sea) is thusly: imagine an unbelievably large cloud of dark grey faintly luminescent fog, which takes up the entire known volume of the plane, throw a mess of looped waterways floating through the fog, and plonk down a landmass floating in a small ocean everywhere that the waterways intersect. Now consider that the streams of water are composed of this grey fog, but condensed, and flow in specific directions. These streams of time will either cause something to drastically age upon contact, or will do the opposite, depending on which end of the timestream you entered it from.
In order to traverse the streams folks need protection, which is usually composed of the combined auras of intelligent life. Get enough people together, along with enough Stillwater, and their combined auras will push back the ravages of time. Stillwater isn’t exactly travel friendly though; it takes up literal tons of weight and touching it causes you to become locked in stasis until you are removed from it, so captains aren’t exactly keen on keeping it on board.
That’s where the fuel cells come into play! Maybe don’t ask too many questions about how they are charged though. Slap a couple of fuel cells into a Timebreaker class ship and you have a vessel that can not only traverse the streams, but can forge new ones too, provided you brought a Navigator along.
You remembered to bring a Navigator with you, right?
From where did you draw your main inspirations for the current campaign? Books, gaming modules, films, a vivid imagination? What concepts can explorers in your world expect to encounter?
This one is equal parts easy and difficult to answer. Inspiration comes from all sorts of places, but in this case mainly three sources: a story called “Timeless” from a very popular webcomic (Sluggy Freelance) from back in 2005; the short story “All You Zombies” by Robert Heinlein which I read when I was about ten years old; and the concept of “Arcane Resonance” from a game I’m still fleshing out called Forbidden Empire, which is the second game in the Wrath of the Fallen Goddess planned trilogy.
Arcane Resonance was also featured heavily in Rise of the Durnskald, and also Core, though it wasn’t named. Basically, magic causes ripples in the fabric of reality, bigger magic means bigger ripples, and ripple something hard enough and new stuff happens. Crash a big enough magical meteor into a planet and you can hurl the collective idea of the planet straight out of time itself, left to float around all shattered in a cloud of energy, while the original version slowly heals. Now add a bunch of power hungry Kjerne Runecasters to the mix and, well, though that all happened in the past I’m getting ahead of myself.
As I stated before, Stream of Kairos is my TTRPG Grand Unified Theory, bringing everything and everyone together. I remember reading that D&D cosmology, at least back in the day, theorized that all of the games that everyone ran were tied together by existing in the infinite deep astral, with each game existing within its own prime material plane. In Stream of Kairos, the Kairos Delta exists as the broken shadow of the astral plane, and features scenes and elements from many of the games that I’ve run in the past.
This time around though, the players are seeing the events from different perspectives. Helping to complete the missing portions of the narratives that they played through years ago, and in at least one case drastically changing the course of a doomed world. I mean, it’s probably still doomed, but now it’s different doom.
Sometimes you just have to focus on the small victories.
For more info on all of these concepts and sources, look here: https://streamofkairos.obsidianportal.com/wikis/behind-the-screen
Your campaign has some very innovative design elements. What tools did you use to create it and set it all up? Any recommendations for new GMs starting to design their campaigns?
The campaigns look is done via CSS, paint.net, and flamingtext.com, with a generous splash of google image searching thrown in. W3Schools.com can be a great resource for folks who are interested in learning to use CSS, as can the Obsidian Portal forum and Discord.
What is the importance of the “Orkehd Raiders” in your Campaign. They seem to be integral to the geographic area of “The Kairos Delta”. Please, tell us more…
The Orkehd Raiders are among the most fearsome opponents a ship captain could ever have the misfortune to meet. Piloting vast ships made of iron and steel, armed with cannons and rockets, and frequently protected by powerful energy shields, the Orkehd are a foe you don’t want to meet lying down. Or standing for that matter. Hailing from a different dimension, the Orkehd are powerful and quite technologically advanced, though their skill in magic is extremely lacking.
Oh look, here’s one now: https://streamofkairos.obsidianportal.com/characters/oggie-bigteefs
Without divulging any major plots, what plans do you have for the player characters as they progress through your campaign?
What the characters know: That they are eventually all killed by their sorcerer, ReDyns.
What the players don’t know: One of the players actually knows how this happens, and hasn’t revealed it as of yet.
Having been a member of Obsidian Portal for over ten years, what would you say are the most useful benefits for you as both a Campaign Designer and as a person running a campaign?
I quite like a cohesive theme, and easily accessible info, and eleventy billion rules and systems. Obsidian Portal is, in my humble opinion, still the best platform that allows for easy customization and wiki building without explicitly requiring proprietary software or access fees for everyone involved in the game. Also, I really like the community.
Are there any specific adventures you have yet to have that you are particularly looking forward to that you can give us a glimpse of, without ruining the surprise for your players? You can be as cryptic as you like.
I would suggest that folks read up on what Kairos is, and how it connects to the theme of this game and others I’ve ran. I don’t think that there’s enough clues around to actually ruin the surprise, but maybe someone will figure it out.
Here’s a hint: It all starts with a time loop… all the worst nonsense does, really.
Okay, as a last question, we always ask for the GM’s “pearls of wisdom”. What GM insights can you offer the community this month?
Previously I mentioned learning CSS, and spending extra time getting the world ready to play in so that it sort of becomes self-sustaining.
While those concepts are important, I want to focus on something else this time around. Engage with your players, and your world. Create unique concepts, or monsters, or classes, or races. Create new legends and folktales, maybe songs that tell tales of heroes long gone. Anything really, just make sure to create something, to bring life to your world and vision. You and your players are far more likely to tell tales of the door that made a friend and sacrificed itself to let the heroes continue on their quest than of yet another encounter with a pile of orc guards.
Don’t be afraid to make mistakes, or to be extra goofy with the world (depending on the theme of course). Maybe your world is infested with giant insects that lay eggs that look suspiciously close to oranges, but not quite? Maybe the sewers have Gelatinous Tubes instead of Gelatinous Cubes? Maybe one of your characters is named Lolph Dundgren and you’ve said it so many times over the course of the game that you no longer can remember which way is the actual actor’s name? Maybe try D&D&Space?
And if you’re one of the players?
Maybe, just maybe, play a talking horse who goes out of her way to teach one of her friends how to speak horse. It’s a heck of a story.
Thank you to the community for making this campaign of the month possible! That’s all for now, join us on our next adventure March 1st, and don’t forget to nominate your favorite campaigns for our next Campaign of the Month!
Update Post – January 20, 2025
Hail, Portal People!
The season clock has chimed again, so it’s time for another reckoning. See below for all of the new features and bug fixes that were added to OP since the previous Update Post.
If you have any questions, comments, or feedback, feel free to post them in the Community Forums, or email support directly at [email protected].
Obsidian Portal Campaign of the Month January 2025: Mass Effect: Spectre’s Angels
A group of galactic super spies travel the known universe, using a manipulation of ‘dark energy’ to enable faster than light travel. Follow them on their travels as they discover strange races on even stranger worlds in the year 2178 when you step on to the ship of GM Optimusnorm and his team, in their Traveller campaign, “Mass Effect: Spectre’s Angels“.
First off, feel free to tell us about the person behind the GM screen. Where are you from? What do you do aside from gaming? Alter Egos? Life partners? Family? Where can we interact with you on the internet?
I’m a Brit living in Dubai, UAE, where I work as an Investment Advisor, helping clients around the world manage and grow their wealth—whether through stocks, property, fine art, wine, or whisky. Outside of work, I’m a husband, father to two children, and a passionate gamer. I also enjoy camping and socialising, especially connecting with like-minded people. I’m proud to be a co-founder of the Gulf Roleplaying Community, a group we created to bring together roleplayers across the Arabian Gulf and the Middle East, offering a space for enthusiasts to connect and share their love for rolling dice around the table. I have been roleplaying since the late 1980s – I think my first RPG was Warhammer Fantasy RPG second edition.
You are running a Traveller space scenario, but before we get into further details, please explain in a nutshell the “Mass Effect”. What is it? What is its significance to the campaign?
“Mass Effect is a military science fiction franchise, best known for its critically acclaimed video game series. In the game’s universe, the term ‘Mass Effect’ refers to a scientific phenomenon based on the manipulation of a universal force called ‘dark energy.’ This technology underpins the series’ interstellar civilisation, enabling faster-than-light (FTL) travel, advanced weaponry, and biotic powers.
My campaign is a Mongoose Traveller 2nd Ed conversion set in this, universe, combining the franchise’s lore with the unique Traveller system, which is really the granddaddy of sci-fi RPGs
How long has your campaign been running and what made you choose Traveller as your gaming system?
The campaign ran for just over a year and is currently on hiatus while we explore other sci-fi projects (I am definitely more of a sci-fi than fantasy fan). Traveller was always my first choice for this setting because of its excellent character creation system, simple and flexible mechanics, and the inspiration I drew from other gamers who had successfully adapted a previous version of Traveller to the Mass Effect universe.
Your WIKI starts out by detailing Mongoose 2nd Edition Rules Conversions. How much work did this involve and what tips would you give to those enterprising GameMasters on Obsidian Portal who might be thinking of converting a Rule System to meet their personal needs.
This project has been a significant undertaking, but much of the groundwork was laid by fellow Obsidian Portal user Jacobkosh, who ran a Mass Effect Traveller conversion about a decade ago and generously shared his notes with me. I adapted those notes to the Mongoose Publishing 2nd Edition rules, and as a group, we’ve been tweaking, adding, and refining elements throughout the campaign. It’s truly been a labour of love. For anyone looking to attempt something similar, I’d recommend starting with the core rules and finding an understanding group of players who are willing to collaborate and help the game evolve through actual play.
You currently seem to have three active players listed. It is presumed they form the basis of the group, “Spectre’s Angels”. Tell us about this group and their place in the universe. And what about the people who play the characters? How often do you meet and how do you all interact?
Living in Dubai means we have a REALLY diverse group of players. Our current roster includes another Brit, his Lebanese wife, and a Russian. We also had a Filipino gent with us but he had to move away and couldn’t make sessions anymore. The transient nature of expat life often means people move on when they change jobs or relocate. As I only game in-person this means we sometimes gain and lose players.
The concept behind ‘Spectre’s Angels’ was inspired by the Spectres in the Mass Effect universe—elite agents with broad authority, akin to super spies. In our campaign, the group operates under a Spectre, much like Charlie’s Angels (hence we called it Spectre’s Angels!). The PCs themselves are a disparate crew with individual agendas but share a common goal: to pay off the debts on their ship and ultimately gain full independence.
We played every two weeks on average but again, the nature of expat life meant people go home for the summer, travel for work, head back for Christmas holidays etc so sometimes a month or more would go by between sessions.
How much of your gaming time is spent on space travel as opposed to action on various worlds? Feel free to give us a brief overview of the type of scenario your characters could normally expect during your campaign.
Space travel is usually quick in our games, unless the adventure itself takes place on a ship en route to somewhere. Most of the time, it’s about getting to a world, space station, or other location and jumping straight into the action. We tend to enjoy a mix of 50-75% investigation and interaction, with 25-50% combat.
One session turned into an epic bar crawl across a massive space station as the group hunted for a missing person, discovering weird cocktails and shady establishments along the way! Some sessions focus more on combat, but overall, the group isn’t too combat-heavy.
Did you build the Campaign yourself? While building your campaign, what tools did you find useful? Do any of your players get involved in the Campaign design?
I always build my campaigns from scratch, starting with a session zero where the players come together to create their characters. This gives them a chance to develop interlinked agendas and backstories, which I then use as inspiration and fuel for shaping the campaign. It’s a great way to make sure the story feels connected to the characters and their goals. I don’t really use any specific tools except Obsidian Portal and my digital notes.
Without divulging any major plots, what is your plan for the future of Spectre’s Angels?
The game ran just before the events of the Mass Effect 1 PC game. The future will likely be in parallel to the events of that first game, bringing in themes and plots that relate to the main story.
Having been a member of Obsidian Portal for over ten years, what would you say are the most useful benefits for you as both a Campaign Designer and as a person running a campaign?
Having one central place for both me and the players to refer to is invaluable. With the expat lifestyle sometimes causing long gaps between sessions, it’s great to have everything in one spot to refresh our memories and keep building on the campaign whenever we’re ready.
For me as a GM, it’s also a great way to gauge player engagement. Those who aren’t really into the game tend not to update their characters and get involved in the Portal, which helps me figure out if we’re a good fit to keep gaming together.
Are there any specific adventures you have had that stand out in your memory as being particularly fun for you and your players? Feel free to add any pictures or links.
We really had fun with a Casino heist scenario where the PCs managed to stumble through every step and succeed in the least subtle way imaginable! There’s been a number of ‘bumbling successes’ around the galaxy – often in clubs and bars!
Okay, as a last question, we always ask for the GM’s “pearls of wisdom”. What GM insights can you offer the community this month?
At its heart, gaming is all about the people. Every gamer is different, and as GMs and players, we all bring our own expectations and standards to the table. One of the most important lessons I’ve learned is that having the right group makes all the difference. A group with committed people who are truly present can thrive even with an unfamiliar system or an improvised adventure, while a mismatched group will struggle—even with the perfect story and a deep understanding of the rules.
Focus on building a group that clicks, and the rest will fall into place.
Thank you to the community for making this campaign of the month possible! That’s all for now, join us on our next adventure February 2nd, and don’t forget to nominate your favorite campaigns for our next Campaign of the Month!
OBSIDIAN PORTAL CAMPAIGN OF THE YEAR 2024- WINNER’S ANNOUNCED!!!!!
A HUGE CONGRATULATIONS TO OUR WINNERS!
FIRST PRIZE:
KERYTH987 WITH WRATH OF THE HIGHBORNE!!!
RUNNER UP: HUMANNOYD with CYBERPUNK 2077:FATE ACCELERATED!
(winners will be contacted by OP staff to connect you with your prizes)
It’s about that time again- time to celebrate some of the very best of our OP Community! 11 great RPG sites, each awarded the prestigious “OBSIDIAN PORTAL CAMPAIGN OF THE MONTH” award in 2024, stand in line to be considered for the OBSIDIAN PORTAL CAMPAIGN OF THE YEAR 2024! And YOU get to decide!
THE DETAILS:
Voting will open Monday December 2nd, is open to ALL, and will close Monday December 9th. The winner will be announced on Friday December 13th. Check Obsidian Portal, Facebook and Twitter for further details.
THE CONTENDERS:
January 2024: More Things in Heaven and Earth
February 2024: Cyberpunk 2077 Fate Accelerated
March 2024: Wrath of the Highborn
April 2024: Season of Strife
May 2024: The World of Elurah
June 2024: The Planewalker’s Guild
July 2024: Ars Magica, Umbra Quercus Saga
August 2024: Freeing Phandalin
September 2024: Echo of The Mists
October 2024: Aloft!
November 2024: Dark Conflagration
THE PRIZES:
This year we have some AMAZING sponsors including Paizo, Killjester, Crit Academy and Syrinscape!
1st Place
- 1 year subscription to OP
- Paizo: Digital copies of Pathfinder Second Edition and Starfinder First Edition Beginner Box PDFs as well as a PDF of Abomination Vaults (Pathfinder Second Edition or Dungeons and Dragons 5th Edition, winner’s preference)
- Killjester: A physical Copy of Sanctimonious Slimes vs Expired Epicures
- Crit Academy: Digital Copy of Memorable Monsters
- Syrinscape: A subscription (Supersyrin trial vouchers, each for two months x 2)
Runner Up
- 1 year subscription to OP
- Killjester: A physical Copy of Sanctimonious Slimes vs Expired Epicures
- Syrinscape: Syrinscape: A subscription (Supersyrin trial voucher, for two months)
Obsidian Portal Campaign of the Month November 2024: Dark Conflagration
“In a system on the Terra side of the Great Rift this group in service to an Inquisitor must prove their worth through grit and valor to hold back the closing despair. Join them as you pour through this restricted Inquisitorial system and read along with their adventures in their own words.” Please join us in this month’s interview for COTM Dark Conflagration with our GM Medacia and Kenkewl00!
Tell us a little about the people behind the logs. What’s your group like, how did you all start playing together, and what drew you to Warhammer?
We have a group of 3 full time players, one part time player, and the GM. All of the players are lifelong TTRPG players from various professional backgrounds like healthcare, finance, baking, and theater. The GM tailored a short list of concepts for each player and let them choose their favorite. You can see the flavor of the character and the style of the author in each entry into the Inquisitorial Journal System.
The group has been going with varying members for over 8 years, starting with a long-running Vampire the Masquerade game. A few of us got into (or back into) WH40k about a few years ago when they came out with the box sets for pre-built armies, and enjoy the more miniature-focused gameplay.
Warhammer 40K’s atmosphere of hopelessness populated with great acts of heroism is what drew the GM to the system. The grind of ten millennia of slow collapse and bureaucracy combined with the terror of the events surrounding the Great Rift create a need for sacrifice and courage to fight back the encroaching darkness.
How often do you play, and how do you generally do so (online, in-person, hybrid)?
In-Person, once every 2 weeks is the schedule. Occasionally we’ll miss a scheduled session due to real-world obligations or add a session in-between when we can.
For folks that are perhaps less familiar with the world of 40k, where does your game fit into the grim dark?
It’s set after the universe got split by the Great Rift as Cadia fell, in a GM-created star system on the Terra-side of the divide. It’s inspired from various events going on throughout the 40K universe in the early part of M42. The players are part of a small group in the service of an Inquisitor in the Consus System, near the Pariah Nexus.
I love the various art on your site, from Characters to Items, Adventure Logs to Wiki Pages. How do you create/source the artwork, and do you have a secret for keeping the feel so consistent across your whole site?
I chose a stylized realism for the overall theme. I sifted through many AI art sites and styles before settling on one that captured my look. I’ve used a lot of iterations of a single concept before settling on any image that makes its way to the site. As I learned more about how the AI responded to particular prompts I’ve been able to achieve my desired outcomes more efficiently. I’ve also tracked down specific pieces (like the propaganda posters) from existing art and included my favorites in entries or slideshows where appropriate. I’ve created or modified images and run it through a program that creates short videos for the cover page to create a more dynamic feel, hoping to give the viewer a more engaging experience like they’re breaking in to the Inquisitorial Journal System.
As you’ve been on Obsidian Portal for quite some time, what is your favorite campaign wrangling feature?
I have mostly used OP as a way to stay consistent as a GM – once its online, it’s easy to reference and I don’t have to deal with lost papers. I should probably use more of the functions truth be told. I like the session reminders, and the forum to post little things in-between sessions to keep players and fans engaged.
Swapping to your intense site for a moment, where did you come up with the style design you have?
I want to give the OP a more exciting feel than the standard campaign designs that I see. I want it to be an experience, and I want the players to sign in and make updates feeling like their characters journaling their horrifying experiences fighting the Chaos cultists. I also want fans to get excited to see the next update, to present a taste of how things would look in the collapsing world of 40K. I want them to feel like they’ve snuck into this secret archive and they’re watching the story evolve from afar. To inspire them to create their own star system, their own Inquisitorial warband and fight off the wickedness of a violent, indifferent universe.
I love your adventure logs, I see that one of your players is involved with them as well. How do you split that load?
Mendacia handles most of the details of the Logs – the game notes, the notable events/locations/people, that sort of thing. kenkewl00 gets involved by occasionally putting a placeholder Log in there for Mendacia to edit later, since one way to encourage player involvement we are utilizing is to give out in-game goodies (extra wrath tokens, given our system) for players to put notes from their characters perspective. kenkewl00, as a normally-GM type, tend to put more detailed notes than others, but the Ogryn puts a lot of time in to write the log in a low-int style since they are “in character journals”.
Back to your game, can you share an example of a particularly memorable moment from your campaign?
Lots of epic moments for a campaign that’s only six months old, plenty of acts of heroism and bloody conflict that I could reference here. However, I think the bright spots in this violent, grim saga are the personal exchanges between the Inquisition Pact members. The intro session for Roland (The Navis Imperialis Pilot) and Smasha (Militarum Ogryn) cemented their dynamic and it led to some great roleplaying. In the Calamitous Intent session this plays out with the Ogryn’s massive bulk and clumsiness enraging an entire bar full of patrons, effectively chasing him with torch and pitchfork. A few blocks of pursuit later the noble-born Pilot puts himself between the Ogryn and the crowd and has to use every trick up his sleeve (charm, bribery, his Navis uniform) to calm them. There’s a sense of obligation between Roland and Smasha, just the prior session Smasha had put himself between Roland and the blades and lasers of cultists.
Let’s round this out with one of our favorite questions for our featured GMs! If you had a secret sauce for running a great game, what would be the most important ingredients?
1. Don’t over-prepare. Set up the big detail points, but let the players choose how they get there. They’ll almost always surprise you.
2. When you’re getting started, don’t fall in love with your NPCs. Put out a large amount of them initially, and see which ones that players gravitate towards. I’ve had so many throwaway NPCs that wound up being central to the story because they meshed so well with the troupe.
3. Critical successes can lead to epic moments. So can critical failures. On both sides of the table! Make the most of these opportunities to engage the table and make memories.
Thank you to the community for making this campaign of the month possible! That’s all for now, join us on our next adventure November 1st, and don’t forget to nominate your favorite campaigns for our next Campaign of the Month!
